It was almost 4 years to the day since I had seen Roger Waters in town. Last time was 9/27/06. This time, Gale and I went to see his presentation of “The Wall”. Waters had performed this barely thirty times in the past. This tour will at least double the amount of performances when he’s finished with this round.

But what I saw on Tuesday was easily one of the best I’ve seen. Part rock concert, mostly stage show, but certainly all spectacle. But it seemed right to dust it off now. Thematically, it’s a good time to stage “The Wall”. And it did not disappoint.

The Venue: The former home of LeBron James, the Quicken Loans Arena. Big enough to have a wall constructed. I’m glad I’m not Asian, as signs posted at the entrances read: “Pyro and Strobes in use during show”. In a pricing quirk, I saw beer ($7.25) priced higher than cocktails ($7.00). Although I didn’t see any booze, only wine. BTW, t-shirts were going for $40 and $50. Needless to say, I did not buy anything.

Roger Waters: Waters is one of the most politically overt entertainers out there. At 67, he hasn’t backed down one bit. But, if you check your politics at the door, the stuff he says should not be favored by one party or the other. For example, during “Mother”, he asks, “Mother, should I trust the government?” Then, on the portion of the wall that was built up to that time, the answer appeared in bright red letters read: “No Fucking Way”. Later on, during the song, “Bring the Boys Back Home”, those words appeared on the wall, and spontaneous applause broke out while there was a pause in the lyrics. Man, it was a moment that was truly lump-in-the-throat time.

I’ll contrast Waters with what you see at a U2 show. When Bono gets on the soapbox, you know it’s coming and, at times, you roll your eyes and realize OK, it’s a timeout for the political bullshit. But with Waters you know he doesn’t speak as an American, or a Briton, but as someone who understands what it means to be a citizen of the world. The message is bold and heartfelt and I like it very much.

One other thing. Waters is very appreciative of the crowd. He is serious when he has to be, but not afraid to smile and wave to the crowd when appropriate. At the end, he said this, “Thank you so much, from the bottom of all our hearts. You’ve been a fantastic audience, and it means a lot to us.”

Tickets: We went full fare this time (cost ticked over the $100 mark—think of it as a Broadway show, if it’ll make you feel better) and were in the Club seats. We had Section 109 in the Clubs, which was the second section from the stage. Aisle seats with a perfect view.

The Band: There was an array of eleven musicians and vocalists with Waters this time. Roger barely plays his bass, but remains in front of the wall most of the time. So, when they were building the wall, he had his Gilmour sub, Robbie Wyckoff, to the left, with four other backup singers in the middle. Drums were to the left, not on a riser. Plenty of guitars in the back, including my favorite whipping boy from the Browns games, G.E. Smith, on one of them. Yes, there was a G.E. Smith sighting at “The Wall”! Keyboards were on the right.

Of course, there were local kids who got to sing, “We don’t need no education…” Had to be from Cleveland, because maybe they need that education. They were supposed to sway together, but some were going one way and the others, the opposite direction. And they couldn’t stay in a straight line to save themselves. But their shirts read, “FEAR BUILDS WALLS” and that makes up for a lot.

The wall is finally constructed right before intermission. So, the first song afterward, “Hey You”, is done behind the wall. Waters is the focus for the next several songs. During “Nobody Home”, the wall folds out and there is Roger sitting in an easy chair in his hotel room, with the crowd chiming in to sing, “Got 13 channels of shit on the TV to choose from.” This leads up to what is one of my favorite songs.

"Comfortably Numb"/From Chicago



For “Comfortably Numb”, Waters is on the stage, while separate scaffolds carry Wyckoff and another guitarist to the top of the wall. Yeah, it takes two guys to replace David Gilmour! Talk about wishing you were here. I absolutely love the way Gilmour sings the chorus on this song. But they did an awfully good job on this song on Tuesday. Gilmour is rumored to make one appearance on this American tour. If he does it for this song, without any intro, and rises above that wall, I swear people will crap their pants.

After that, all of the songs are performed in front of the wall, until the wall comes tumbling down after “The Trial”. We all chanted, “Tear down the wall!” Sort of like “Let them play!” from that hideous “Bad News Bears” sequel. For the finale, ”Outside the Wall”, the lights go up and the band is dressed colorfully for the first time, dumping the black.

The Crowd: No chaperone hat, because this was truly an all ages show. Aw, these kids today. They didn’t seem to appreciate what they were seeing. My God, the row in front of was a revolving door. And, of course, there was a helluva lot of smoke with the hippy lettuce debuting by the end of song two. But, it was well-behaved and we saw only one person carried out by stretcher. He seemed to be, ahem, comfortably numb.

Props: When any Floyd member is involved, you have lots of visuals and, obviously, they did not disappoint. We had balloons representing Mother, the Teacher and the Wife. The actual wall allowed all sorts of graphics and film to be shown.

Once again, he had pics of his father who died in WWII during “In the Flesh”. This morphs into a photo of a new American soldier, then an Iraqi boy, a Somali woman, a New York City firefighter, all dead. At the conclusion of that song, a war plane crashed into the wall. We were on that side and it was cool to see.

He had photographs of fallen heroes, in war and peace, from all sides that he rotated during intermission. I even spotted Gandhi. It had a picture, when they were born and when they died as stats. Really an amazing visual.

The circular screen that Floyd seems to favor was also on hand. It showed a lot of the animation from the film version. Flowers having sex, marching hammers, etc.

"Run Like Hell" (with the Pig!)/From Chicago



Guess who else made an appearance during “Run Like Hell”? The pig!!! Yes, that old warhorse was put into service again. I love that pig and his red eyes that blink on and off. He has it labeled with RUN and "Trust Us". Plus, it displayed a Shell Oil logo, one of Roger’s favorite targets.

Also there were shots on the wall during “Run Like Hell” that mocked Apple. For instance, sheep (with their iPods) appeared followed by the word “iFollow”. Plus creepy terrorist-looking guy with an “iTeach” immediately followed by kids with “iLearn”.

During “Empty Spaces”, the animated bombers dumped out corporate logos among nation logos (Stars of David, Crescents, Dollar Signs), as well. I saw the Mercedes and Shell Oil (again) logos.

And the wall collapsing was something to see. I think the people in Row 1 may not have been completely sure it was safe, as it came hurtling at them. But it piled up in the pit between them and the stage.

The Music: I’m quite surprised at some of the early reviews that say Waters is sounding pretty good. Um, I think there may be some behind-the-scenes dubbing going on that make it sound that way. And I’m OK with it. As a matter of fact for “Mother”, he played a duet with an old film of himself that had the vocal tracks from 30 years ago. So, who knows? His voice was shot 4 years ago and I’m skeptical now. But, again, I don’t care.

Highlights were what you think they would be. “Comfortably Numb”, “Run Like Hell” were both stellar.

All in all, a fantastic effort.

Setlist:

“In the Flesh”
“The Thin Ice”
“Another Brick in the Wall Part 1”
“The Happiest Days of Our Lives”
“Another Brick in the Wall Part 2”
“Mother”
“Goodbye Blue Sky”
“Empty Spaces”
“What Shall We Do Now?”
“Young Lust”
“One of My Turns”
“Don't Leave Me Now”
“Another Brick in the Wall Part 3”
“The Last Few Bricks”
“Goodbye Cruel World”

(20-Minute Intermission)

“Hey You”
“Is There Anybody Out There?”
“Nobody Home”
“Vera”
“Bring the Boys Back Home”
“Comfortably Numb”
“The Show Must Go On”
“In the Flesh”
“Run Like Hell”
“Waiting for the Worms”
“Stop”
“The Trial”
“Outside the Wall”

Next stop...Boston.

Meal of Links

I happened to see "Wall Street 2" at the Capitol on Monday. This surprised me. It was much better than I thought it would be. I don't know if it's Michael Douglas near the end, but to revive Gordon Gekko was pretty sweet. Basically, he still loves the game, knows how to play, but he doesn't have a stake. That's where his daughter, Carey Mulligan comes in. Good job by Shia Lebeouf and Josh Brolin, once again, steals the show. New York is beautifully photographed and you get a score with Byrne/Eno tunes, with "Naive Melody" over the closing credits, as in the first movie.

When Der Bingle met the Thin White Duke. Or "When Crosby Met Bowie". Even more Bowie.

Mick Foley reveals Tori Amos changed his life. And this is why Mick is still the most beloved of all wrestlers.

Thermos probably has your favorite lunchbox displayed. Pretty cool site.

The MacArthur Genius Grants were announced earlier this week. David Simon got one. Deserved, I may add.

Finally. It took the Senate, of all places, to lower the volume on commercials. It was unanimous and they agree on nothing.

Quentin Tarantino's longtime editor, Sally Menke, died the other day. She was the only editor he worked with. Cast and crew always had time for a "Hi, Sally!" as she edited.

"Hi, Sally!"



The Flintstones turn 50. This, on the day Stony Curtis died.

Pee-Wee Herman will host "Raw". Now that could be funny.

Today's WTF?



"Death Wish 3" really sucks. Trust me, it's bad.

Roger Waters already in trouble over "The Wall". ADL not liking those "Stars of David" dropping like bombs.

Being Glenn Beck. Kudos if you get through it.

Exercise Yard

Reds win division. Reds celebrate in locker room. Reds smoke cigars. Uptight fans call smoking ban complaint hotline.

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